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Rocket Boys
Cover of Rocket Boys
Rocket Boys
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#1 NEW YORK TIMES BESTSELLER • A “nostalgic and entertaining memoir” (People) about a group of young men who dreamed of launching rockets into outer space—the inspiration for the film October Sky
“A message of hope in an age of cynicism. . . . Perhaps we all have something to learn from a half-dozen boys who dared to reject all limitations . . . and resolved to send dreams roaring to the sky.”—The San Diego Union-Tribune

It was 1957, the year Sputnik raced across the Appalachian sky, and the small town of Coalwood, West Virginia, was slowly dying.
Faced with an uncertain future, Homer Hickam nurtured a dream: to send rockets into outer space. The introspective son of the mine’s superintendent and a mother determined to get him out of Coalwood forever, Homer fell in with a group of misfits who learned not only how to turn scraps of metal into sophisticated rockets but how to sustain their hope in a town that swallowed its men alive.
As the boys began to light up the tarry skies with their flaming projectiles and dreams of glory, Coalwood, and the Hickams, would never be the same.
With the grace of a natural storyteller, NASA engineer Homer Hickam paints a warm, vivid portrait of the harsh West Virginia mining town of his youth, evoking a time of innocence and promise, when anything was possible. Lush and lyrical, Rocket Boys is a uniquely American memoir: A powerful, luminous story of coming of age at the end of the 1950s, of a mother’s love and a father’s fears, and of growing up and getting out.
#1 NEW YORK TIMES BESTSELLER • A “nostalgic and entertaining memoir” (People) about a group of young men who dreamed of launching rockets into outer space—the inspiration for the film October Sky
“A message of hope in an age of cynicism. . . . Perhaps we all have something to learn from a half-dozen boys who dared to reject all limitations . . . and resolved to send dreams roaring to the sky.”—The San Diego Union-Tribune

It was 1957, the year Sputnik raced across the Appalachian sky, and the small town of Coalwood, West Virginia, was slowly dying.
Faced with an uncertain future, Homer Hickam nurtured a dream: to send rockets into outer space. The introspective son of the mine’s superintendent and a mother determined to get him out of Coalwood forever, Homer fell in with a group of misfits who learned not only how to turn scraps of metal into sophisticated rockets but how to sustain their hope in a town that swallowed its men alive.
As the boys began to light up the tarry skies with their flaming projectiles and dreams of glory, Coalwood, and the Hickams, would never be the same.
With the grace of a natural storyteller, NASA engineer Homer Hickam paints a warm, vivid portrait of the harsh West Virginia mining town of his youth, evoking a time of innocence and promise, when anything was possible. Lush and lyrical, Rocket Boys is a uniquely American memoir: A powerful, luminous story of coming of age at the end of the 1950s, of a mother’s love and a father’s fears, and of growing up and getting out.
Available formats-
  • OverDrive Read
  • EPUB eBook
Languages:-
Copies-
  • Available:
    1
  • Library copies:
    1
Levels-
  • ATOS:
    5.9
  • Lexile:
    900
  • Interest Level:
    UG
  • Text Difficulty:
    4 - 5


 
Awards-
Excerpts-
  • From the book Coalwood

    Until I began to build and launch rockets, I didn't know my hometown was at war with itself over its children and that my parents were locked in a kind of bloodless combat over how my brother and I would live our lives. I didn't know that if a girl broke your heart, another girl, virtuous at least in spirit, could mend it on the same night. And I didn't know that the enthalpy decrease in a converging passage could be transformed into jet kinetic energy if a divergent passage was added. The other boys discovered their own truths when we built our rockets, but those were mine.

    Coalwood, West Virginia, where I grew up, was built for the purpose of extracting the millions of tons of rich, bituminous coal that lay beneath it. In 1957, when I was fourteen years old and first began to build my rockets, there were nearly two thousand people living in Coalwood. My father, Homer Hickam, was the mine superintendent, and our house was situated just a few hundred yards from the mine's entrance, a vertical shaft eight hundred feet deep. From the window of my bedroom, I could see the black steel tower that sat over the shaft and the comings and goings of the men who worked at the mine.

    Another shaft, with railroad tracks leading up to it, was used to bring out the coal. The structure for lifting, sorting, and dumping the coal was called the tipple. Every weekday, and even on Saturday when times were good, I could watch the black coal cars rolling beneath the tipple to receive their massive loads and then smoke-spouting locomotives straining to pull them away. All through the day, the heavy thump of the locomotives' steam pistons thundered down our narrow valleys, the town shaking to the crescendo of grinding steel as the great trains accelerated. Clouds of coal dust rose from the open cars, invading everything, seeping through windows and creeping under doors. Throughout my childhood, when I raised my blanket in the morning, I saw a black, sparkling powder float off it. My socks were always black with coal dirt when I took my shoes off at night.

    Our house, like every house in Coalwood, was company-owned. The company charged a small monthly rent, automatically deducted from the miners' pay. Some of the houses were tiny and single-storied, with only one or two bedrooms. Others were big two-story duplexes, built as boardinghouses for bachelor miners in the booming 1920's and later sectioned off as individual-family dwellings during the Depression. Every five years, all the houses in Coalwood were painted a company white, which the blowing coal soon tinged gray. Usually in the spring, each family took it upon themselves to scrub the exterior of their house with hoses and brushes.

    Each house in Coalwood had a fenced-off square of yard. My mother, having a larger yard than most to work with, planted a rose garden. She hauled in dirt from the mountains by the sackful, slung over her shoulder, and fertilized, watered, and manicured each bush with exceeding care. During the spring and summer, she was rewarded with bushes filled with great blood-red blossoms as well as dainty pink and yellow buds, spatters of brave color against the dense green of the heavy forests that surrounded us and the gloom of the black and gray mine just up the road.

    Our house was on a corner where the state highway turned east toward the mine. A company-paved road went the other way to the center of town. Main Street, as it was called, ran down a valley so narrow in places that a boy with a good arm could throw a rock from one side of it to the other. Every day for the three years before I went to high school, I got on my...
About the Author-
  • Homer Hickam was born and raised in Coalwood, West Virginia. The author of Torpedo Junction (a Military History Book-of-the-Month Club selection) as well as numerous articles for such publications as Air & Space/Smithsonian and American History Illustrated, he is a NASA payload training manager for the International Space Station program and lives in Huntsville, Alabama.
Reviews-
  • Publisher's Weekly

    Starred review from September 14, 1998
    Great memoirs must balance the universal and the particular. Too much of the former makes it overly familiar; too much of the latter makes readers ask what the story has to do with them. In his debut, Hickam, a retired NASA engineer, walks that line beautifully. On one level, it's the story of a teenage boy who learns about dedication, responsibility, thermodynamics and girls. On the other hand, it's about a dying way of life in a coal town where the days are determined by the rhythms of the mine and the company that controls everything and everybody. Hickam's father is Coalwood, W.Va.'s mine superintendent, whose devotion to the mine is matched only by his wife's loathing for it. When Sputnik inspires "Sonny" with an interest in rockets, she sees it not as a hobby but as a way to escape the mines. After an initial, destructive try involving 12 cherry bombs, Sonny and his cronies set up the Big Creek Missile Agency (BCMA). From Auk I (top altitude, six feet), through Auk XXXI (top altitude, 31,000 feet), the boys experiment with nozzles, fins and, most of all, fuel, graduating from a basic black powder to "rocket candy" (melted potassium chlorate and sugar) to "Zincoshine" (zinc, sulfur, moonshine). But Coalwood is the real star, here. Teachers, clergy, machinists, town gossips, union, management, everyone become co-conspirators in the BCMA's explosive three-year project. Hickam admits to taking poetic license in combining characters and with the sequence of events, and if there is any flaw, it's that the people and the narrative seem a little too perfect. But no matter how jaded readers have become by the onslaught of memoirs, none will want to miss the fantastic voyage of BCMA, Auk and Coalwood. First serial to Life. 10-city author tour. (Sept.) FYI: Rocket Boys is currently in production at Universal, which plans to release it later this year.

  • Christopher Lehmann-Haupt, New York Times "[T]horoughly charming....Hickam builds a story of overcoming obstacles that is worthy of Frank Capra...[in its]...eloquent evocation of a lost time and place."
  • New York Times "A thoroughly charming memoir ... [An] eloquent evocation of a lost time and place."
  • San Diego Union-Tribune "A stirring tale that offers something unusual these days ... a message of hope in an age of cynicism."
  • Atlanta Journal-Constitution "A great read ... One closes the book with an immense feeling of satisfaction."
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    Random House Publishing Group
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